莱卡定格动画的微缩戏服如何制作 From 'Wildwood' to 'Coraline': How Stop Motion Costumes are Handmade at LAIKA

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走进莱卡工作室,解锁定格动画《荒野丛林》人偶戏服的创作幕后。影片人偶按五分之一比例微缩制作,工作室大多面料、服饰配件均为内部手工打造,在极小的尺寸下平衡动作可动性与镜头呈现效果。刺绣、模具浇筑、3D 打印等多种工艺交织,依托团队多年沉淀的技术经验,一件件精巧的微缩戏服才赋予人偶鲜活的生命力。

Something that's really unique here at LAIKA is the fact that we make our own fabrics here on site.

We've got one fabric in the film that was off the shelf, and that's Prue's socks.

Everything we make is hand sewn in house, in order to make it in this world, and make it believable.

The loose framework of Wildwood is that Prue takes her brother to the park.

While they're in the park, a murder of crows swoop down, and abduct her baby brother.

And everything that follows is Prue's mission to save her brother.

I'm the costume designer here at LAIKA, and I've been working in stop frame at LAIKA for 20 years since Coraline, and that's when LAIKA acquired the Wildwood book, so I guess with our experience in all the movies we've made to date, we've slowly been gathering information, and with all of that, we've grown and our expertise has really grown with it, and we are now at the point where we were able to do that story justice.

The difference is in making costume for stop frame is the scale.

You can see here, these characters are very small.

They're one fifth scale, exactly.

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