Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.
展出中许多都创作于1926年之后,纳尔带着玛莎——他的模特儿,他的灵感和他的爱妻——进了戛纳城郊一个不起眼的别墅“乐凯斯”。
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A Dutchman named Comeille de Pauw announced in a popular work called Recherches Philosophiques sur les Americains that native American males were not only reproductively unimposing, but so lacking in virility that they had milk in their breasts.
有叫科梅耶·波夫的荷兰人在一本叫《关于美洲人的哲学研究》的俗作品中宣称,美洲的土著男人不但在繁殖方面给人印象不深,“此缺乏生殖能力,他们的乳房都流着奶汁”。