Such is the case for Elsa the young heroine in the feature film Restless reverb.

在故事片" 永无止境混响" 中，年轻女主角埃尔莎就这样。

They created custom reverb an effect that adds depth and echo to sound.

他们创建了自定义混响效果，可以增加深度和回。

Yeah, Rocky sucks. The Rock: There's a reverb that happens in the arena.

奥普：，洛基很烂。 The Rock：舞台上有混响。

Reverb in a natural setting tends to fade as the audio signal decays.

自然环境中混响会随着频信号衰减而减弱。

Nonlinear reverb just can’t be replicated in the real world without technology.

没有技术，线性混响就无法在现实世界中复制。

On yours, the reverb's bouncing at the same time.

而你带子上 回同时响起。

That's the sound of gated reverb.

那门控混响。

Well, adding effects like reverb to create an echo and a rumble can make them even scarier.

好吧，添加混响等效果来创建回和隆隆可以使它们更加可怕。

But not everyone who wanted good reverb had access to that type of space.

但并不每个想要好混响人都能进入那种类型空间。

Room - its reverb came from the walls of the studio.

房间 - 它混响来自工作室墙壁。

Then for a decade, gated reverb was a sound you just couldn’t escape on the radio.

然后十年， 门控混响您在收机中无法逃避。

Nothing illustrates this more than the evolution of reverb.

没有什么比混响演变更能说明这一点了。

Audio processing techniques like applying a low-pass filter to minimize salient events and adding reverb make sounds fade into the background.

频处理技术（例如应用低通滤波器以最大程度地减少突出事件和添加混响）使淡入背景。

Sure, gated reverb drums aren't a timeless sound.

当然，门控混响鼓不永恒。

You can go online and download massive Prince and Phil Collins inspired gated reverb drum sample packs.

您可以上网下载大量受 Prince 和 Phil Collins 启发门控混响鼓样本包。

Plate reverb boxes were 600 pounds or more.

板式混响盒重达 600 磅或更多。

Reverb was achieved in the early days the most natural way of all, which is to have an echo chamber.

混响在早期实现最自然方式，即拥有回室。

A year after “In the Air Tonight, ” those huge drums were no longer an accident, the sound was built into reverb technology.

在“In the Air Tonight” 一年后，那些巨大鼓不再偶然，被融入了混响技术。

Echo chambers took up real estate and real estate was expensive so plate reverb was invented.

回室占用不动产， 而不动产价格昂贵， 因此发明了板式混响。

Susan fed that Linn-LM1 to the AMS reverb box and used a preset called “nonlinear.”

Susan 将 Linn-LM1 送入 AMS 混响盒并使用了一个名为“线性” 预设。