Photographers work a photocall at the 62nd Cannes Film Festival.

摄影师第62届戛电影节的拍照时间工作。

I found the chairs at my pet antiques dealer in Cannes.

戛最喜爱的古董商那里发现这些子的。

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都创作于1926年之后，当时带着玛莎——他的模特儿，他的灵感和他的爱妻——搬进了戛城郊一个不起眼的别墅“乐凯斯”。